Banner
Banner
cookie-banner
Article Index
Martin Logan CLX
Sound quality
Conclusion
All Pages

CONCLUSION

Bearing in mind that electrostatic loudspeakers are a difficult technology to master, what Martin Logan have achieved with the CLX is impressive; they are a near perfect exponent of the art. Technically and subjectively their tonal balance is convincing, sound from the Mylar film is unobstructed by the stators for unrivalled insight, detail retrieval and clarity, bass power is plentiful and maximum volume very high. They don't demand high power inputs too; I used 24 Watts (rms) maximum to go extremely loud in a large room. Gilbert Briggs would have been shocked to hear them, but he still would have listed the need for a large room to enjoy them and a pocket that isn't a lot smaller. So fetch the Bentley please James, it is time to visit the bank manager!

 


verdict five globes

A meticulously crafted electrostatic that's free from traditional limitations, this is one of the very best loudspeakers money can buy.

 

MARTIN LOGAN

CLX Linear £15,990

+44 (0)208 971 3909

www.martinlogan.com

 

FOR

- sparklingly clear

- finely detailed

- powerful bass

 

AGAINST

- imposing physical size means large rooms only!

- price

 

MEASURED PERFORMANCE

The vertical high frequency panel of the CLX is a little directional, but less so than the budget Martin Logan models; moving the measuring microphone laterally in front of the CLX altered the basic high to low energy balance, rather than upsetting frequency response. This means midrange and treble remains as smooth and extended as our stepped sine wave analysis shows, moving up or down in prominence, as listening position changes, relative to bass and midrange frequencies below 1kHz. So whilst the CLX is listening position critical, it isn’t too demanding in this respect. It also drove our 28ft square measuring room well, much like the Kingsound Prince II tested in our April 09 issue, giving a consistent sound over a wide frontal area.

 

Frequency response of the CLX is flat from 700Hz all the way up to 20kHz, so it will sound even in its midband and upper midband/treble delivery. Below 700Hz output is on average 3dB up, right down to 55Hz no less. With a monopole this would give a fulsome balance, but with a dipole it gives a natural balance, likely because the solid radiation angle and associated acoustic power is less. A low frequency peak at 60Hz (third octave analysis, not shown here) suggests there will be no lack of punchy bass. This looks like a carefully tailored euphonic balance that will be easy on the ear.

 

Electrostatics are usually insensitive but the CLX isn't much different from conventional loudspeakers in this area, producing 84dB sound pressure level from one nominal Watt of input (2.84V). This is far better than the 11dB less sensitive (73dB) Kingsound Prince IIs for example. The CLX is a similar amplifier load however, comprising a huge low frequency peak, our analysis shows, reaching a maximum of 125 Ohms at 16Hz, falling to 11 Ohms DCR at 0Hz and 1.5 Ohms at 20kHz. Above 100Hz impedance falls below 15 Ohms and the overall figure measured a normal 5.5 Ohms. The CLX is reactive at low frequencies only, which should not be a problem to amplifiers. Above 300Hz it is largely resistive, making it an easy amplifier load, except for the 1.5 Ohm minimum at 20kHz which could conceivably be too demanding for some solid-state amplifiers. Again, valve amplifiers cope best.

 

The loudspeaker’s spectral decay over 200mS showed there is remarkably little colouration, a strength of the electrostatic, and decay is fast and even across the frequency spectrum, with a small amount of overhang at 60Hz as expected. Distortion levels were a little above conventional loudspeakers and varied across the bass panel area below 100Hz, falling from 3% at 40Hz down to 1% or so at 100Hz, then around 0.3% up to 1kHz, falling to 0.1% to 6kHz.

 

The CLX delivers a smooth yet extended sound into the room, free from serious frequency response anomalies. The balance emphasises lows a little, for warmth and body, and low bass output is strong and deep. Its basic accuracy and smoothness of output is excellent for such a big panel, it drives the room evenly and colouration is extremely low, so this is a quality design. NK

 

 

FREQUENCY RESPONSE

martin-logan-clx-fr1

 

IMPEDANCE

martin-logan-clxz



 

Add your comment

Your name:
Subject:
Comment:
  The word for verification. Lowercase letters only with no spaces.
Word verification:

Search

Hi-Fi World, Powered by Joomla!; Hosted by Joomla Wired.